Naming Nodes and Using Node Presets
In contrast to look presets, that stores an entire look with all nodes in the look library, a node preset only contains one or several nodes of a look.
Read moreAdvanced Grading Features
Using the RGB Curves Editor
The RGB curves editor allows you to precisely grade your footage, either by applying a single master curve or by creating curves for individual channels luma, red, green, blue and/or a custom color.
Read moreUsing the ACES CDL Grading Mode
Livegrade implements the ACES color pipeline including IDT transforms, working color spaces such as ACEScct and ACEScc, LMT, RRT and ODT transforms to be used on camera live signals and still images (e.g.
Read moreUsing the Colorfront Film Grading Mode
Livegrade Studio supports the “Colorfront Film” transform of the Colorfront Engine. From Colorfront’s document “Using the Human Perceptual Model for Multiple Display Mastering”: “The Colorfront Engine is a state-of-the-art parametric color processing pipeline mapping various input formats, including camera original (scene-referred) and graded (display-referred) images, to a wide range of SDR and HDR output formats at […]
Read moreSetting up PomfortVL for Foreground Grading
Note: This is documentation for features available with Livegrade Studio 6.0 or higher and the PomfortVL plugin (in Beta).
Read moreLinked Looks
Livegrade allows to link slots and sync image processing nodes between slots.
Read moreLegal and Extended – SDI-Signals and LUTs
HD-SDI signals Devices supporting HD-SDI (YCbCr) signals can be configured to carry either legal range signals (which is a standard use case for most of all HD-SDI signals) or extended range signals (which is only used in special, rare use cases).
Read moreColor management with ICC profiles
For a color managed workflow for displaying digital images on a monitor, the color profiles of the source image data as well as the display device must be known.
Read more