Naming Nodes and Using Node Presets
In contrast to look presets, that stores an entire look with all nodes in the look library, a node preset only contains one or several nodes of a look.
Read moreIn contrast to look presets, that stores an entire look with all nodes in the look library, a node preset only contains one or several nodes of a look.
Read moreThe RGB curves editor allows you to precisely grade your footage, either by applying a single master curve or by creating curves for individual channels luma, red, green, blue and/or a custom color.
Read moreLivegrade implements the ACES color pipeline including IDT transforms, working color spaces such as ACEScct and ACEScc, LMT, RRT and ODT transforms to be used on camera live signals and still images (e.g.
Read moreLivegrade Studio supports the “Colorfront Film” transform of the Colorfront Engine. From Colorfront’s document “Using the Human Perceptual Model for Multiple Display Mastering”: “The Colorfront Engine is a state-of-the-art parametric color processing pipeline mapping various input formats, including camera original (scene-referred) and graded (display-referred) images, to a wide range of SDR and HDR output formats at […]
Read moreNote: This is documentation for features available with Livegrade Studio 6.0 or higher and the PomfortVL plugin (in Beta).
Read moreLivegrade allows to link slots and sync image processing nodes between slots.
Read moreHD-SDI signals Devices supporting HD-SDI (YCbCr) signals can be configured to carry either legal range signals (which is a standard use case for most of all HD-SDI signals) or extended range signals (which is only used in special, rare use cases).
Read moreFor a color managed workflow for displaying digital images on a monitor, the color profiles of the source image data as well as the display device must be known.
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